To Do for Week 11: Write, Write, WritePosted: October 30, 2013
You may have noticed that I didn’t do a “To Do” post for last week. That’s because last week was Fall Break at Ball State. We didn’t have class on Tuesday, and on Thursday, students turned in their Reverse Storyboard project. I passed out “The Publishing Packet,” which you only get in full if you take my class for realz. Sorry.
This week, students get what I call “Studio Time.” It’s almost time to share our novels with others!
Week 10 Blog Post Due: Chelsea Jackman
Weekly Words #10 (last one): due Sunday, 11/3 at 5 PM. Focus: None. Write what you want.
Due : Packet from Group 1: 1.)Jacket Copy, 2.) 20-40 page “chunk” of the manuscript and 3.) Outline/Storyboard. Put in your groups Google Doc Folder. This should be ONE DOCUMENT, not three.
I’ve broken the students into three groups based on what kind of novel they’re writing.
- Students in Beta Group 1 are mostly working on novels that are Fantastical, not of our world.
- Students in Beta Group 2 are mostly working on novels that are Realism or Satire. We have a thriller, a memoir, a historical baseball novel, a satire, etc.
- Students in Beta Group 3 are mostly working on novels that set in our world, but have some sort of Supernatural or Paranormal or Sci-Fi element to them.
Starting next week, I will be meeting with each Beta Group during class time. The other two groups will use class time to write, write, write.
Starting next week, I will be reading over 100 pages a week.
In most workshops, the work comes at the teacher and fellow students at a manageable rate. Students get lots of feedback, but they don’t write as much. In this class, we don’t do all-class workshop so that students can write more. I haven’t been commenting on their Weekly Words, but now, I will be commenting on their Partials.
Basically, I do the “Reading-and-Responding-to-Student-Work” part of my job in an intense, three-week period rather than spread out over the course of the semester.
From this point on, there are no themes or topics. The “content” portion of the class is done.
In a sense, you’re sort of on your own at this point, but you will continue to hear from the students in the class, and I do have some advice for you.
Decide right now: do you want
a.) to just keep writing?
b.) do you want to share your novel with others?
If the answer is A
Good for you. Keep it up. See ya later.
If the Answer is B
If the answer is B, then start compartmentalizing your writing time. Differentiate between DRAFTING NEW PAGES and REVISING THE BEGINNING. Don’t stop writing your way into the book.
Find your beta readers.
One advantage of showing your work to others is that if the conversation goes well, you’ll feel fired up to keep going. Also: fixing the foundation of your novel might prevent the whole thing from collapsing. But if the conversation goes badly, you might feel discouraged. It’s up to you. If you decide to show your work to others, make it clear that you are not looking for a thorough critique. You’re looking for encouragement. This is not the time to rip anybody to shreds.
Give your beta readers the following:
- Jacket copy
- a 20-40 page chunk of your manuscript, preferably the first 20-40 pages.
- outline or synopsis of what’s to come
The following exercise on how to write jacket copy is adapted from James Scott Bell’s Plot and Structure. Feel free to do this exercise even if you picked A. It’s a fun way to remind yourself what your novel is about.
- Name of the lead character:
- What the lead does for a living or how they might be described:
- What is the disturbance in Act 1, the first thing that disturbs the status quo and creates reader interest? Might also be called a plot point or inciting incident:
- What is the doorway of no return? What thrusts the character forward, creates a sense that something must inevitably happen, kicks the character out of the status quo into Act II, hurtling toward the end?
- What or who is opposing the lead?
- Why are they opposed? What’s at stake for each?
- What is the story question? What question does the reader have on his or her mind that keeps them reading in order to find out the answer?
- How do you feel when you read these pages? Sad? Engrossed? Angry? Curious? Creeped out? Enchanted?
Lead character’s name and current situation.
_______ is _________________ who _________________________. (Remember, jacket copy is always written in present tense!) Keep this to paragraph to 1 or 2 sentences that describe the character’s background and situation.
Start with the word Suddenly or But when. Tell the reader what the major turning point, the disturbance is. What the first doorway is. What’s going to thrust the Lead into Act II of the book. Describe Act II in 1 or 2 sentences.
Begin the last paragraph with the word Now and make it an action sentence, like Now Brad must struggle with the harrowing mystery of his family legacy. Or, begin with the word Will, and write a few story questions: Will Mary claim what’s rightly hers? Or will she be stopped by forces she can’t see or identify? And will it hurt the ones she loves? Make sure the last paragraph describes the reading experience the reader can expect. “Readers will feel ____ as they embark on/as they finish this novel.”
Have fun with these! It’s totally okay to ham it up. They aren’t something you will ever write yourself (publishers write jacket copy) but it’s a fun way to have other people tell you what they think your book is about. Also: you don’t have to know the end in order to write the jacket copy.